	Gabriel & Me
	Heroes come in all sizes'Eleven-year-old Jimmy Spud wants to be an angel ' the kind with wings that fly. In other words, he wants to be like his friend Gabriel (Billy Connolly ' Open Season, The Last Samurai), a high-ranking archangel who heeds prayers. Jimmy wants to use his 'angelic' powers to save his father, who is diagnosed with lung cancer and hospitalized, but first, Gabriel must teach Jimmy the nuances of what it really means to become an angel. Only Jimmy is too impetuous to be... (more) Heroes come in all sizes'Eleven-year-old Jimmy Spud wants to be an angel ' the kind with wings that fly. In other words, he wants to be like his friend Gabriel (Billy Connolly ' Open Season, The Last Samurai), a high-ranking archangel who heeds prayers. Jimmy wants to use his 'angelic' powers to save his father, who is diagnosed with lung cancer and hospitalized, but first, Gabriel must teach Jimmy the nuances of what it really means to become an angel. Only Jimmy is too impetuous to be coached' and his father's time is running out. Penned by Academy Award nominee Lee Hall, Gabriel & Me is an inspiring story of innocence and youthful dreams put to the test. (close)
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	The X Files: I Want to Believe
	In grand The X-Files tradition, the film's storyline is being kept under wraps, known only to top studio brass and the project's principal actors and filmmakers. This much can be revealed: The supernatural thriller is a stand-alone story in the tradition of some of the show's most acclaimed and beloved episodes, and takes the always-complicated relationship between Fox Mulder (Duchovny) and Dana Scully (Anderson) in unexpected directions. Mulder continues his unshakable quest for the truth, and... (more) In grand The X-Files tradition, the film's storyline is being kept under wraps, known only to top studio brass and the project's principal actors and filmmakers. This much can be revealed: The supernatural thriller is a stand-alone story in the tradition of some of the show's most acclaimed and beloved episodes, and takes the always-complicated relationship between Fox Mulder (Duchovny) and Dana Scully (Anderson) in unexpected directions. Mulder continues his unshakable quest for the truth, and Scully, the passionate, ferociously intelligent physician, remains inextricably tied to Mulder's pursuits. Months after shooting had wrapped, Carter remained as circumspect about the story as he was during its development and production. "Mulder and Scully are drawn back into the world of the X-Files by a case," is all he'll add about the plot. Perhaps more clues...to something....can be found in the film's title. "I Want to Believe" is a familiar phrase for fans of the series; it was the slogan on a poster that Mulder had hanging in his office at the FBI. "It's a natural title," says Chris Carter. "It's a story that involves the difficulties in mediating faith and science. It really does suggest Mulder's struggle with his faith." Carter is much more revealing about his goals for the film. "Simply put, we want to scare the pants off of everyone in the audience," he says. While the scale and scope inherent in the medium of film allowed the filmmakers to take the story and characters where the show couldn't go, Carter says THE X-FILES: I WANT TO BELIEVE also marks a return to the series' roots, when it was the lone beacon on television for fans of thrillers, supernatural tales, and of horror stories. "The film encompasses all the best things people loved about the show. It's scary, creepy, and has a good mystery. With The X-Files, we often scared people by what they didn't show, and we use that device for the movie." Adds writer-producer Frank Spotnitz: "I think the best part of The X-Files was that it could make you afraid of anything. They didn't tell typical horror stories or adhere to popular genre conventions. And this movie is in that tradition of showing things that you would not see in most scary movies." Unlike the first The X-Files motion picture, released in 1998, Carter and Spotnitz's story for THE X-FILES: I WANT TO BELIEVE does not require audiences to understand the series' complex mythology that stretched across its nine seasons on the air. "The first movie was kind of an epic episode of the show, but THE X-FILES: I WANT TO BELIEVE is a real, stand-alone movie," explains Carter. "If the show hadn't existed, this is a story that still would have found its way to the big screen." (close)
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	Fido
	Welcome to Willard, a small town lost in the idyllic world of the '50s, where the sun shines every day, everybody knows their neighbor, and rotting zombies deliver the mail. Years ago, the earth passed through a cloud of space dust, causing the dead to rise with a craving for human flesh. A war began, pitting the living against the dead. In the ensuing revolution, a corporation was born: ZomCon, who defeated the legions of undead, and domesticated the zombies, making them our industrial... (more) Welcome to Willard, a small town lost in the idyllic world of the '50s, where the sun shines every day, everybody knows their neighbor, and rotting zombies deliver the mail. Years ago, the earth passed through a cloud of space dust, causing the dead to rise with a craving for human flesh. A war began, pitting the living against the dead. In the ensuing revolution, a corporation was born: ZomCon, who defeated the legions of undead, and domesticated the zombies, making them our industrial workers, our domestic servants - a productive part of society. ZomCon would like the people of Willard to believe they have everything under control -- but do they? Timmy Robinson doesn t think so. At eleven, Timmy already knows the world is phony baloney - Mom and Dad just won t admit it. Now ZomCon's head of security has moved in across the street, and Timmy's Mom refuses to be the only housewife on the block who doesn't have a zombie of her own. When she brings a zombie servant home, Timmy discovers a new best friend, and names him Fido. And even though Dad has a bad case of zombie-phobia, Timmy is determined to keep Fido, even if he does eat the odd person. (close)
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